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Claude Closky, ‘Entretien sur l’art,’ 2022, (February 10) performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes.

Claude Closky, ‘Entretien sur l’art,’ 2022, (February 10) performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes.
Claude Closky, ‘Entretien sur l’art,’ 2022, (February 10) performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes.

‘Entretien sur l’art,’ February 10 2022,
performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes. Guest star Victor Guegan.

 

Claude Closky, ‘Entretien sur l’art,’ 2022, Paris: Fondation d’entreprise Pernod Ricard, 24 pages, 21 x 15 cm.

‘Entretien sur l’art,’ 2022,
Paris: Fondation d’entreprise Pernod Ricard, 24 pages, 21 x 15 cm.


Claude Closky, ‘Bonnes réponses [Good Answers],’ 1990-2011, performance for 9 actors, video projection, table, 9 chairs, 1 hour.‘Bonnes réponses [Good Answers],’ 1990-2011, performance for 9 actors, video projection, table, 9 chairs, 1 hour.

Claude Closky, ‘Thursday then Friday then Saturday then Sunday then Monday then Tuesday then Wednesday,’ 2017, New York: AC Books. In ‘7 Days: My Art Life,’ edited by Holly Crawford, pages 38-49.‘Thursday then Friday then Saturday then Sunday then Monday then Tuesday then Wednesday,’ 2017, New York: AC Books. In ‘7 Days: My Art Life,’ edited by Holly Crawford, pages 38-49.

Claude Closky, ‘Blackywall by Sihab Baik,’ 2015, Paris: RRose Editions. Digital print, 200 pages, 23 x 14,5 cm, duplex laser print, 1 folded page 21 x 26 cm.‘Blackywall by Sihab Baik,’ 2015, Paris: RRose Editions. Digital print, 200 pages, 23 x 14,5 cm, duplex laser print, 1 folded page 21 x 26 cm.

Claude Closky, ‘Yes or No, interview with Pierre Huyghe, interview with Thomas Hirschhorn, interview with Dominique Gonzalez Foerster, interview with  Sophie Calle, interview with  Raymond Hains, interview with Jonathan Monk - Oui ou Non, entretien avec Pierre Huyghe, entretien avec Thomas Hirschhorn, entretien avec Dominique Gonzalez Foerster, entretien avec Sophie Calle, entretien avec Raymond Hains, entretien avec Jonathan Monk,’ 2002-2006, Luxembourg: Mudam.lu/Magazine  9/2002, 1/2003, 6/2003, 12/2003, 10/2004, 12/2005; Paris: Trouble no. 2 October 2002, Trouble no. 1 English Edition, 2005, p. 12-19; Mexico: Capítulo primero, FITAC, March 2003, p. 77-85; Bignan: Domaine de Kerguéhennec, centre d’art contemporain, in Jonathan Monk, 2006, p. 162-193.‘Yes or No, interview with Pierre Huyghe, interview with Thomas Hirschhorn, interview with Dominique Gonzalez Foerster, interview with Sophie Calle, interview with Raymond Hains, interview with Jonathan Monk – Oui ou Non, entretien avec Pierre Huyghe, entretien avec Thomas Hirschhorn, entretien avec Dominique Gonzalez Foerster, entretien avec Sophie Calle, entretien avec Raymond Hains, entretien avec Jonathan Monk,’ 2002-2006, Luxembourg: Mudam.lu/Magazine 9/2002, 1/2003, 6/2003, 12/2003, 10/2004, 12/2005; Paris: Trouble no. 2 October 2002, Trouble no. 1 English Edition, 2005, p. 12-19; Mexico: Capítulo primero, FITAC, March 2003, p. 77-85; Bignan: Domaine de Kerguéhennec, centre d’art contemporain, in Jonathan Monk, 2006, p. 162-193.

Claude Closky, ‘I’m a slave 4 U, Samantha Laurent interviews Claude Closky,’ 2001, web site, Flash (http://closky.online.fr/interview/), 4 minutes.‘I’m a slave 4 U, Samantha Laurent interviews Claude Closky,’ 2001, web site, Flash (http://closky.online.fr/interview/), 4 minutes.

Claude Closky, ‘Bla bla [Blah-blah],’ 1998, green and yellow electronic led sign, computer, loop (4h1/2).‘Bla bla [Blah-blah],’ 1998, green and yellow electronic led sign, computer, loop (4h1/2).


External resources:

Interview by Jill Gasparina, ‘Entretien sur l’art,’ Paris: Fondation d’entreprise Pernod Ricard, 10 February 2022.