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Claude Closky, ‘La Plagne,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

Claude Closky, ‘La Plagne,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

Claude Closky, ‘La Plagne,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

‘La Plagne,’ 2000-2002,
Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

 

Claude Closky, ‘La Plagne Handscript,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

Claude Closky, ‘La Plagne Handscript,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

Claude Closky, ‘La Plagne Handscript,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

‘La Plagne Handscript’, 2000-2002,
Postscript font (Mac & PC), Regular, Italic, Bold, Bold Italic.

 

Claude Closky, ‘La Plagne Handscript,’ 2000-2007, Paris: Fr66. Silkscreen, 100 x 70 cm.

‘La Plagne Handscript’, 2000-2007,
Paris: Fr66. Silkscreen, 100 x 70 cm.

 

Claude Closky, ‘Chamonix,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic.

Claude Closky, ‘Chamonix,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic.

‘Chamonix’, 2000-2002,
Postscript font (Mac & PC), Regular, Italic.

Related work:

Claude Closky, ‘Forme bien remplie [well filled shape],’ 2012, Toulouse: Les Abattoirs, Musée d’art moderne et contemporain. In ‘a kind of huh?’.‘Forme bien remplie [well filled shape],’ 2012, Toulouse: Les Abattoirs, Musée d’art moderne et contemporain. In ‘a kind of huh?’.

Claude Closky, ‘Saint Anton,’ 2006, TrueType font (Mac & PC), Regular.‘Saint Anton,’ 2006, TrueType font (Mac & PC), Regular.

Claude Closky, ‘Checked off,’ 2003, wall painting, dimensions variables.‘Checked off,’ 2003, wall painting, dimensions variables.

Claude Closky, ‘Font Romeu,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic.‘Font Romeu,’ 2000-2002, Postscript font (Mac & PC), Regular, Italic.