‘Untitled (NASDAQ)’, 2003,
wallpaper, silkscreen print, dimensions variable.
Exhibition view ‘21st Century: Art in the First Decade’, Queensland Art Gallery – Gallery of Modern Art, Brisbane. 18 December 2010 – 25 April 2011. Curated by Nicholas Chambers, Andrew Clark, Tony Ellwood, Suhanya Raffel, Kathryn Weir.
‘Untitled (NASDAQ)’, 2003-2004,
wallpaper for the Sims, .wll file.
‘NASDAQ’, 2003,
invitation card, Luxembourg: Fondation Musée d’art moderne Grand-Duc Jean, offset Print, 84 x 55 cm.
Related work:
‘0 Euro,’ 2023, Bloom, Düsseldorf. Wallpaper, outdoor wall collage, giveaway prints, digital printing on A3 80g paper, variable dimensions.
‘Classement [Position],’ 2014, Toulouse: Editions AutreChose, Revue Blanche. Offset print, 8 pages 35 x 25 cm, cover 28 x 20 cm, 8 pages 21 x 15 cm, cover 15 x 10,5 cm.
‘Up & Down,’ 2004, Paris: Centre Pompidou. Wallpaper. Silkscreen, dimensions variable.
‘Untitled (supermarket),’ 1996-1999, Artist’s edition. Wallpaper. Silkscreen, 200 x 150 cm, dimensions variable.
‘Untitled (Marabout),’ 1995-1997, Artist’s edition. Wallpaper. Silkscreen, 200 x 150 cm, dimensions variable.
‘Plus de 300 petits prix [300 budget prices],’ 1990, artist’s publication. Photocopy, 16 pages, 21 x 15 cm.
External resources:
‘Art, Price and Value’, Centro di Cultura Contemporanea a Palazzo Strozzi (CCCS), Firenze. 13 November 2008 – 11 January 2009. Curated by Franziska Nori, Piroschka Dossi.
‘Installation of ‘Untitled (NASDAQ)’ 2003’, Brisbane: Queensland Art Gallery, Gallery of Modern Art, 2010.
‘21st Century, Art in the First Decade’, Brisbane: Queensland Art Gallery, Gallery of Modern Art, 2010, p. 65.
Rosemary Willink, ‘Open d[ART]a,’ Brisbane: Queensland Art Gallery | Gallery of Modern Art (QAGOMA), 2014.
Gaia Tedone, ‘Abstract Patterns, Material Conditions,’ in ‘Foreclosed. Between Crisis and Possibility,’ New York: Whitney Museum of American Art, 2011, p. 11, 36-39, 123-135.