{"id":2380,"date":"1996-06-10T10:00:00","date_gmt":"1996-06-10T10:00:00","guid":{"rendered":"http:\/\/ww.closky.info\/?p=2380"},"modified":"2022-02-13T11:12:24","modified_gmt":"2022-02-13T11:12:24","slug":"interview-with-david-perreau","status":"publish","type":"post","link":"https:\/\/ww.closky.info\/?p=2380","title":{"rendered":"Reviews, interviews"},"content":{"rendered":"<div id=\"workinfo\" class=\"textinfo\">\n<div class=\"wp-xga\"><a tabindex=\"1\"><img src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018Interview by David Perreau\u2019, 1996, Roubaix, Editions de l\u2019association Triple Axel, in \u2018Triple axel\u2019, pp. 14-17.jpg\" title=\"Claude Closky, \u2018Interview by David Perreau\u2019, 1996, Roubaix: Editions de l\u2019association Triple Axel, in \u2018Triple axel\u2019, pp. 14-17.\" alt=\"Claude Closky, \u2018Interview by David Perreau\u2019, 1996, Roubaix: Editions de l\u2019association Triple Axel, in \u2018Triple axel\u2019, pp. 14-17.\"><\/a><span class=\"close\"><\/span><\/div>\n<p>\u2018Interview by David Perreau\u2019, 1996,<br \/>\nRoubaix: Editions de l\u2019association Triple Axel, in \u2018Triple axel\u2019, pp. 14-17.<\/p>\n<div class=\"wp-xga\"><a tabindex=\"1\"><img src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018Maria Lundholm\u2019, 1996, Paris, Signes (March), p. 155.jpg\" title=\"Claude Closky, \u2018Maria Lundholm\u2019, 1996, Paris: Signes (March), p. 155.\" alt=\"Claude Closky, \u2018Maria Lundholm\u2019, 1996, Paris: Signes (March), p. 155.\"><\/a><span class=\"close\"><\/span><\/div>\n<p>\u2018Maria Lundholm\u2019, 1996,<br \/>\nParis: Signes (March), p. 155.<\/p>\n<div class=\"wp-xga\"><a tabindex=\"1\"><img src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018La Biennale de Sydney [The Sydney Biennale]\u2019, 1996, Paris, Carnet de Bord no. 19, p. 13.jpg\" title=\"Claude Closky, \u2018La Biennale de Sydney [The Sydney Biennale]\u2019, 1996, Paris: Carnet de Bord no. 19, p. 13.\" alt=\"Claude Closky, \u2018La Biennale de Sydney [The Sydney Biennale]\u2019, 1996, Paris: Carnet de Bord no. 19, p. 13.\"><\/a><span class=\"close\"><\/span><\/div>\n<p>\u2018La Biennale de Sydney [The Sydney Biennale]\u2019, 1996,<br \/>\nParis: Carnet de Bord no. 19, p. 13.<\/p>\n<div class=\"wp-xga\"><a tabindex=\"1\"><img src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018Questionnaire\u2019, 1999, spring, Paris, Purple Prose 16, Purple n\u00b0 3, pp. 237 -239.jpg\" title=\"Claude Closky, \u2018Questionnaire\u2019, 1999, spring, Paris: Purple Prose #16, Purple n\u00b0 3, pp. 237 -239.\" alt=\"Claude Closky, \u2018Questionnaire\u2019, 1999, spring, Paris: Purple Prose #16, Purple n\u00b0 3, pp. 237 -239.\"><\/a><span class=\"close\"><\/span><\/div>\n<p>\u2018Questionnaire\u2019, 1999,<br \/>\nspring, Paris: Purple Prose #16, Purple n\u00b0 3, pp. 237 -239.<\/p>\n<div class=\"wp-xga\"><a tabindex=\"1\"><img src=\"https:\/\/www.closky.info\/images\/Closky_Glossaire_detail.jpg\" title=\"Claude Closky, \u2018I love Paris\u2019, 2000, in Glossaire, Paris: Lib\u00e9ration, \u2018Style #1\u2019 (February 26th), p. 42.\" alt=\"Claude Closky, \u2018I love Paris\u2019, 2000, in Glossaire, Paris: Lib\u00e9ration, \u2018Style #1\u2019 (February 26th), p. 42.\"><\/a><span class=\"close\"><\/span><\/div>\n<p>\u2018I love Paris\u2019, 2000,<br \/>\nin Glossaire, Paris: Lib\u00e9ration, \u2018Style #1\u2019 (February 26th), p. 42.<\/p>\n<div class=\"wp-xga\"><a tabindex=\"1\"><img src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018What do you expect from an art institution in the 21st century - Qu\u2019attendez-vous d\u2019une institution artistique du 21e si\u00e8cle\u2019, 2001, Paris, Palais de Tokyo, Paris, p. 10-11 (French), p. 56-57 (English).jpg\" title=\"Claude Closky, \u2018What do you expect from an art institution in the 21st century? - Qu\u2019attendez-vous d\u2019une institution artistique du 21e si\u00e8cle?\u2019, 2001, Paris: Palais de Tokyo, Paris, p. 10-11 (French), p. 56-57 (English).\" alt=\"Claude Closky, \u2018What do you expect from an art institution in the 21st century? - Qu\u2019attendez-vous d\u2019une institution artistique du 21e si\u00e8cle?\u2019, 2001, Paris: Palais de Tokyo, Paris, p. 10-11 (French), p. 56-57 (English).\"><\/a><span class=\"close\"><\/span><\/div>\n<p>\u2018What do you expect from an art institution in the 21st century? &#8211; Qu\u2019attendez-vous d\u2019une institution artistique du 21e si\u00e8cle?\u2019, 2001,<br \/>\nParis: Palais de Tokyo, Paris, p. 10-11 (French), p. 56-57 (English).<\/p>\n<hr width=\"100%\">\n<p><a href=\"https:\/\/ww.closky.info\/?p=4193\" title=\"open \u2018Entretien sur l\u2019art,\u2019 2022, (February 10) performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes.\"><img class=\"fumbh\" src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018Entretien sur l\u2019art,\u2019 2022, (February 10) performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes 5.jpg\" alt=\"Claude Closky, \u2018Entretien sur l\u2019art,\u2019 2022, (February 10) performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes.\">\u2018Entretien sur l\u2019art,\u2019 2022, (February 10) performance, Fondation Pernod Ricard, invited by Jill Gasparina, 35 minutes.<\/a><\/p>\n<p><a href=\"https:\/\/ww.closky.info\/?p=3827\" title=\"open \u2018Blackywall by Sihab Baik,\u2019 2015, Paris: RRose Editions. Digital print, 200 pages, 23 x 14,5 cm, duplex laser print, 1 folded page 21 x 26 cm.\"><img class=\"fumbh\" src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018Blackywall by Sihab Baik,\u2019 2015, Paris, Rrose Editions. Digital print, 200 pages, 23 x 14,5 cm, duplex laser print, 1 page 21 x 26 cm. Cover.jpg\" alt=\"Claude Closky, \u2018Blackywall by Sihab Baik,\u2019 2015, Paris: RRose Editions. Digital print, 200 pages, 23 x 14,5 cm, duplex laser print, 1 folded page 21 x 26 cm.\">\u2018Blackywall by Sihab Baik,\u2019 2015, Paris: RRose Editions. Digital print, 200 pages, 23 x 14,5 cm, duplex laser print, 1 folded page 21 x 26 cm.<\/a><\/p>\n<p><a href=\"https:\/\/ww.closky.info\/?p=2169\" title=\"open \u2018Untitled (portrait by Mondino),\u2019 2004, June. Paris: L\u2019Officiel, in \u201c2000 People\u201d, off print no. 5, p. 76.\"><img class=\"fumb\" src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018Untitled (Portrait by Mondino)\u2019, 2004, June, in L\u2019Officiel (Paris), hors s\u00e9rie 5 \u201c2000 People\u201d, p. 76.jpg\" alt=\"Claude Closky, \u2018Untitled (portrait by Mondino),\u2019 2004, June. Paris: L\u2019Officiel, in \u201c2000 People\u201d, off print no. 5, p. 76.\">\u2018Untitled (portrait by Mondino),\u2019 2004, June. Paris: L\u2019Officiel, in \u201c2000 People\u201d, off print no. 5, p. 76.<\/a><\/p>\n<p><a href=\"https:\/\/ww.closky.info\/?p=1756\" title=\"open \u2018I\u2019m a slave 4 U, Samantha Laurent interviews Claude Closky,\u2019 2001, web site, Flash (http:\/\/closky.online.fr\/interview\/), 4 minutes.\"><img class=\"fumb\" src=\"https:\/\/www.closky.info\/images\/Claude Closky, \u2018I\u2019m a slave 4 U, Samantha Laurent interviews Claude Closky\u2019, 2001, web site, Flash (closky.online.fr-interview-), 4 minutes. Photo Jos\u00e9phine de B\u00e8re.jpg\" alt=\"Claude Closky, \u2018I\u2019m a slave 4 U, Samantha Laurent interviews Claude Closky,\u2019 2001, web site, Flash (http:\/\/closky.online.fr\/interview\/), 4 minutes.\">\u2018I\u2019m a slave 4 U, Samantha Laurent interviews Claude Closky,\u2019 2001, web site, Flash (http:\/\/closky.online.fr\/interview\/), 4 minutes.<\/a><\/p>\n<p><a href=\"https:\/\/ww.closky.info\/?p=1191\" title=\"open \u2018Mon Catalogue [my catalogue],\u2019 1999, Limoges: Frac Limousin. Offset print, 288 pages, 21 x 15 cm.\"><img class=\"fumb\" src=\"https:\/\/www.closky.info\/images\/Closky_Mon_catalogue_couv.jpg\" alt=\"Claude Closky, \u2018Mon Catalogue [my catalogue],\u2019 1999, Limoges: Frac Limousin. Offset print, 288 pages, 21 x 15 cm.\">\u2018Mon Catalogue [my catalogue],\u2019 1999, Limoges: Frac Limousin. Offset print, 288 pages, 21 x 15 cm.<\/a><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u2018Interview by David Perreau\u2019, 1996, Roubaix: Editions de l\u2019association Triple Axel, in \u2018Triple axel\u2019, pp. 14-17. \u2018Maria Lundholm\u2019, 1996, Paris: Signes (March), p. 155. \u2018La Biennale de Sydney [The Sydney Biennale]\u2019, 1996, Paris: Carnet de Bord no. 19, p. 13. &hellip; <a href=\"https:\/\/ww.closky.info\/?p=2380\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"_links":{"self":[{"href":"https:\/\/ww.closky.info\/index.php?rest_route=\/wp\/v2\/posts\/2380"}],"collection":[{"href":"https:\/\/ww.closky.info\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/ww.closky.info\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/ww.closky.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/ww.closky.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2380"}],"version-history":[{"count":0,"href":"https:\/\/ww.closky.info\/index.php?rest_route=\/wp\/v2\/posts\/2380\/revisions"}],"wp:attachment":[{"href":"https:\/\/ww.closky.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2380"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/ww.closky.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2380"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/ww.closky.info\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2380"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}