Claude Closky, ‘Yiyi’, Galerie Jennifer Flay, Paris. 16 September - 4 November 2000.

‘+1’ (www.sittes.net/indice), 2000,
projector, computer, table, mouse, permanent Internet connexion, dimensions variable, unlimited duration.

Exhibition view ‘Yiyi’, Galerie Jennifer Flay, Paris. 16 September – 4 November 2000.

Claude Closky, ‘+1’, 2000, projector, computer, table, mouse, permanent Internet connexion (http://www.sittes.net/indice), dimensions variable, unlimited duration. 'Experience, Foto Biënnale Rotterdam', Nederlands Fotomuseum, Rotterdam. 14 March - 21 April 2003. Curated by Frits Gierstberg, Bas Vroege

Exhibition view ‘Experience, Foto Biënnale Rotterdam’, Nederlands Fotomuseum, Rotterdam. 14 March – 21 April 2003. Curated by Frits Gierstberg, Bas Vroege.

Claude Closky, ‘Nouveau Techno’, Contemporary Arts Center, New Orleans. 17 July - 19 September 2004. Curated by David S. Rubin.

Exhibition view ‘Nouveau Techno’, Contemporary Arts Center, New Orleans. 17 July – 19 September 2004. Curated by David S. Rubin.

Claude Closky, ‘Rencontres Internationales 2008’, La Grande Halle de La Villette, Paris. 28 November - 7 December 2008. Curated by Jean-François Rettig.

Exhibition view ‘Rencontres Internationales 2008’, La Grande Halle de La Villette, Paris. 28 November – 7 December 2008. Curated by Jean-François Rettig.

Claude Closky, ‘+1,’ 2000, projector, computer, table, mouse, permanent Internet connexion (http://www.sittes.net/indice), dimensions variable, unlimited duration. ‘+1,’ Ecole Supérieur d’Art du Havre (ESAH), Le Havre. 12 March - 15 April 2009. Curated by Jean-Noël, Lafargue

Exhibition view ‘+1,’ Ecole Supérieur d’Art du Havre (ESAH), Le Havre. 12 March – 15 April 2009. Curated by Jean-Noël, Lafargue.

Claude Closky, ‘Pourquoi attendre !’, Centre d’art contemporain, Genève. 10 December 2009 - 7 February 2010. Curated by Simon Lamunière.

Claude Closky, ‘Pourquoi attendre !’, Centre d’art contemporain, Genève. 10 December 2009 - 7 February 2010. Curated by Simon Lamunière.

Exhibition view ‘Pourquoi attendre !’, Centre d’art contemporain, Genève. 10 December 2009 – 7 February 2010. Curated by Simon Lamunière.

Claude Closky, ‘+1,’ 2000, projector, computer, table, mouse, permanent Internet connexion (http://www.sittes.net/indice), dimensions variable, unlimited duration. Performance of Sarah Belhadjali and Baptiste Rabichon, Beaux-Arts de Paris, the 1st of avril 2013

Performance of Sarah Belhadjali and Baptiste Rabichon, Beaux-Arts de Paris, 1st of avril 2013.

Claude Closky, ‘+1,’ 2000, tablet computer, permanent Internet connexion (http://www.sittes.net/indice), dimensions variable, unlimited duration. Exhibition view ‘HyperPavilion,’ 57th Venice Biennale, Venice. 11 May - 30 October 2017. Curated by Philippe Riss-Schmidt

Claude Closky, ‘+1,’ 2000, tablet computer, permanent Internet connexion (http://www.sittes.net/indice), dimensions variable, unlimited duration. Exhibition view ‘HyperPavilion,’ 57th Venice Biennale, Venice. 11 May - 30 October 2017. Curated by Philippe Riss-Schmidt

Claude Closky, ‘+1,’ 2000, tablet computer, permanent Internet connexion (http://www.sittes.net/indice), dimensions variable, unlimited duration. Exhibition view ‘HyperPavilion,’ 57th Venice Biennale, Venice. 11 May - 30 October 2017. Curated by Philippe Riss-Schmidt

‘+1’ (www.sittes.net/indice), 2000,
tablet computer, permanent Internet connexion, dimensions variable, unlimited duration.
Exhibition view ‘HyperPavilion,’ 57th Venice Biennale, Venice. 11 May – 30 October 2017. Curated by Philippe Riss-Schmidt.


Related work:

Claude Closky, ‘One Two One Two’, 2008, clock, 4 cm, ø 25 cm.‘One Two One Two’, 2008, clock, 4 cm, ø 25 cm.

Claude Closky, ‘Manège [Roundabout]’, 2006, sixteen 32‘Manège [Roundabout]’, 2006, sixteen 32″ flat screens, 16×2 stereo speakers, computer, dimensions variable, unlimited duration.

Claude Closky, ‘More Beautiful’, 2002-2004, 2 computers, 2 mouses, 2 tables, 2 video projectors, dimensions variable.‘More Beautiful’, 2002-2004, 2 computers, 2 mouses, 2 tables, 2 video projectors, dimensions variable.

Claude Closky, ‘Plusieurs fois [Many times]’, 2002-2003, ellectronic led sign, green and red diodes, stainless steel, connection to the tram network (plusieursfois.online.fr), H = 370 cm, L = 330 cm, l = 40 cm.Commissioned at Cenon by the Communauté urbaine de Bordeaux and the Ministère de la culture et de la communication - Drac Aquitaine.‘Plusieurs fois [Many times]’, 2002-2003, ellectronic led sign, green and red diodes, stainless steel, connection to the tram network (plusieursfois.online.fr), H = 370 cm, L = 330 cm, l = 40 cm.
Commissioned at Cenon by the Communauté urbaine de Bordeaux and the Ministère de la culture et de la communication – Drac Aquitaine.

Claude Closky, ‘Mieux que rien [better than nothing]’, 1995, ballpoint pen and collage on paper, 30 x 24 cm.‘Mieux que rien [better than nothing]’, 1995, ballpoint pen and collage on paper, 30 x 24 cm.


External resources:

Donna McAlear, ‘Who Are You, Really?’, New York: NY Arts Magazine, November – December 2004.

‘Data meanings : le sens des données, au pluriel’, Paris: Arte, November 2008.